Lipogram

Lipogram

A lipogram is a constrained poem or written work that deliberately omits one or more letters. The poet chooses a forbidden letter, then writes without using it. A common challenge is to write without the letter e, because e is the most common letter in English. The harder the missing letter is to avoid, the stronger the constraint becomes.

A lipogram often includes careful word choice, unusual phrasing, substitution, compression, and hidden effort. The poem may sound simple, but the difficulty lies beneath the surface. A lipogram may be serious, comic, descriptive, narrative, spiritual, or experimental.

To write a lipogram, choose the forbidden letter first. Then draft a poem without using that letter anywhere. Check every word carefully, including the title. Revise awkward lines so the poem still sounds intentional. Do not let the missing letter become the only point. The poem should still carry image, emotion, or meaning.

No Letter E

A soft dawn lifts
and gold spills
across a small hill.

Birds call.
Clouds drift.
Cold grass holds
last night’s rain.

I walk slowly,
glad for sky,
warm sun,
and God.

“No Letter E” follows the lipogram constraint by avoiding the letter e throughout the poem, including the title. The poem uses simple words and short lines because the missing letter removes many common choices. The constraint creates a plain, quiet style.

A stricter lipogram may omit a common letter such as e, a, or t. A looser version may omit a rare letter such as z or q. A WoPoLian variation may forbid all vowels except one, forbid the letters in a name, or remove a letter connected to the poem’s subject. The poet may break the rule once for emphasis, but the break should be deliberate and explained. Lipogram is a traditional constraint form, not an author-created WoPoLi form.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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