Conceptual poem

Conceptual poem: The poem explains and demonstrates its own governing idea. Its subject is not merely quantum possibility; its structure imitates quantum possibility.

Poem That Forgets Itself

The first line must contain seven words.
This first line contains exactly seven words.

The second line must lose one word.
The second line must lose one.

The third line must lose another.
The third line must lose.

The fourth line loses again.
The fourth line loses.

The fifth grows less.
The fifth grows.

The sixth remains.

Sixth.

The poem announces its governing idea and performs it. Its subject is the gradual loss of language, and each stage enacts that loss by becoming shorter.

The central artistic work lies in the rule and its execution rather than primarily in narrative, imagery, or personal expression. Its defining feature is an organizing concept demonstrated by the poem’s structure.

Central Differences

A combinatorial poem changes the words inside a stable framework.

A branching poem sends the reader along different routes.

An ergodic poem requires the reader to manipulate, solve, arrange, or construct the text.

A hypertext-like poem connects separate textual locations through visible links.

A visual or spatial poem makes placement on the page part of the meaning.

A conceptual poem is organized around an idea or procedure that the poem explains, performs, or tests.

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About the Author: Sarah B. Royal

Sarah B. Royal’s writing defies convention. Her poetry and prose traverse the boundaries between structure and spontaneity, often weaving together philosophical inquiry, cultural reflection, and personal narrative. With a background in experimental literature, she is known for crafting works that challenge readers to engage intellectually and emotionally.

Her acclaimed palindrome performance play, 777 – A Story of Idol Worship and Murder, showcases her fascination with mirrored storytelling and thematic symmetry. In o x ∞ = ♥: The Poet and The Mathematician, Royal explores the intersection of poetic intuition and mathematical logic, revealing a unique voice that is both analytical and lyrical.

Royal’s collections—such as Lost in the Lost and Found, Haiku For You, Lantern and Tanka Too, and the WoPoLi Chapbook Series—highlight her commitment to neurodivergent expression and poetic experimentation. Whether through childhood verse or contemporary fusion poetry, her work invites readers into a world where language is both a tool and a playground.

Sarah B. Royal continues to expand the possibilities of poetic form, offering readers a deeply personal yet universally resonant experience. Her writing is a testament to the power of creative risk, intellectual depth, and emotional authenticity.

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